Play on, dont stop
the golden arrow of Cupid, the Roman god of love. Orsino compares himself to a stag being hunted to allude to the Diana
Love is meaningful(Antonio)
Love is meaningless(Orsino/Olivia)
fluid, very deceptive , expressed through male actors playing a woman playing a man
It is wrong to go against class and the norms created by it, this is seen through the pubishment of Malvolio
Violas only disguise is a mustache, driving home the idea of gender being a performance, with such a small masculine detail deceiving everyone
constant 4th wall breaks, the hypothesis of the viewers being as bad as the villains...
Hole in the floor of the stage, Cage hanging from ceiling...
Maria
His "rich golden shaft"
it enrourages conformatism with those who rebel against the norm and social ranks such a malvolio are punished, only maria succeeds through marriage
A sexual or loving relationship that transcends friendship
Carnivalesque, a celebration in which a low ranking servant acts as a king of the people for a day, representing how social disorder is used to control or strengthen social order
Shakespeare was ahead of his time, expressing postmodern themes in Elizebethen society, with social disorder and gender fluidity
That Love can be the cause of suffering
He is a naricacistic fool
The play is offering a glimpse not just of comic sexual self-delusion but of a potentially subversive upwards mobility
The desire of Orsino for his page, of Olivia for a woman, and of Antonio for his young master, is not ‘confined’ in marriage resolutions
We are more sympathetic to Malvolio, and are more accepting of the fluidity of love and gender
Elizebethan/ late reneiscance