Mapeh (Music/Instruments)(1st test)
consists of two rows of gongs which plays the melody for the gamelan ensemble.
Bonang
s a metallophone with bronze sustained key suspended by cords in a wooden frame. It consist of 10-14 tuned metal bars with mallet Of wooden disks (Bali) or a Padded wooden disk (Java).
Gender
is a xylophone like instrument with wooden bars.
Gambang
is a metalloPhone with thick bronze slab keys.
Saron
is a set of Pitched hanging, knobs gongs Often made of bronze, wood and chords.
Kempul
are set of drums of different sizes and were Played sideways, so the drumer can Play one skin with each hand.
Kendang
is a set of 6 gongs put up in a half circle, with an extra set Of two small gongs called ketuk and Kempyang.
Kenong
is a set of four cymbals mounted inverted on a wooden frame.
Ceng ceng
is a big double-barrelled drum suspended from a rack and Played with Padded mallet.
Beduk
is the biggest hanging gong and it usually Plays the last beat of the rhythmic cycle.
Gong Ageng
is a Plucked string instrument.
CelemPung
is a bowed spike-lute chordophone.
Rebab
is a bamboo ring flute .
Suling
is a single-headedrum on a long hollow stalk which is flared at the bottom
Oozi
is most Popular in the countryside, the dabat was Played to bring in the harvest or to call for rain when the monsoon was late.
Dabat
is Part of the Saing ensemble. It used to be hung on a horizontal beam Placed On tripods, but now it is Placed on a lengthy piece of hard bamboo with nodes at short intervals.
Patma
was Played on royal occasions, auspicious gatherings, and for favorable Prortents In the villages.
Sidaw
Is a drum Of two heads of the same size. It is placed at an angle on a stand and beaten with two sticks.
Sitou
are located in the Patma corner of the Percussion instruments.
Chauklon pat
the dimunitive form of an earlier stage-drum or Si bjo Played on auspicious Occasions and during ceremonies.
Bjo
is a two-headed drum laid horizontally on two tripods. and located in the Percussion corner of the ensemble.
Sakhun
is the center of each Burmese ensemble, giving name to the idea of instruments hung up in a circle
Pat wain
are Punctuating instruments which are similar to the typical cymbals in any other South East Asian music ensembles.
Linkwin
Can be found in ceremonial use in temples or even with monks When they walk down the streets in the morning to beg for alms.
Kyey se
is an assembly of 21 gongs.
Ci wain
It consists of 18 to 19 bossed gongs arranged in up to five rows, hung into Wooden frames and Placed on the ground,
Maun Sain
Is a 13-string angular harp with soft sound and is considered the national instrument Of Myanmar. the body is made of Padauk.
Saung gauk
is an ancient instrument of the Karen People of Burma.
Mi gyaun
is a bowed string instrument.
Tayaw
is a multiple reed oboe with a remarkable crooked form. Ci (big) and Kalei (small).
Hne
is a wind instrument which consists of a hollow tube Played bu blowing through a hole at one end.
Palwei
is a natural shell with a hollow that Produces sound when blown.
Khayuthin
are held in the right hand of the vocalist and Wa (Clapper) are held in the left hand of the vocalist
Si
(bamboo clappers)
Wa letkhoke
(Wooden gong)
ton Wa
Consists of 24 bamboo Plates Placed above a resonating box, starting with the lowest pitch On the Players left side and the highest pitch on the Players right side.
Wa Patala
is an ancient fretted lute
Grajabpi
is a crocodile shaped fretted floor zither with three strings
Jakhae
is a three-stringed lute used in the Isan region of northeastern Thailand
Phin
is a chest-resonated stick zither Played by the Lanna of northern Thailand
Phin Phia
a set of earthenware jars with rubber bands stretched over the open mouths
Phin hai
is a Plucked lute from the Lanna region of northern Thailand
Sueng
is a higher two-stringed fiddle used in Classical music
Saw duang
is a three-stringed spike fiddle used in Classical music
saw sam sai
is a lower two-string fiddle used in classical music
Saw u
is a two-string fiddle used in the Isan region of northeast Thailand
Saw Pip
is a string instrument made of a section of bamboo functioning as both the sound box and the neck of the saw
Saw bang
is a two-string spike fiddle used in the Lanna region
Salo
is a hammered dulcimer
Khim
is a sacred barrel drum and is a membranophone
Taphon
is a large drum Played with the hand
Taphon mon
is a large drum Played with sticks
Glong thad
Is a bowl-shaped Ceramic goblet drum Played by hand
Thon
is a shallow drum that looks like a tambourine without disks played by hand
Rammana
is a goblet drum used in southern Tahi folk music
Glong thap
is a barrel drum In pairs and Played with the hands
Glong Khaek
is a barrel drum played with the hands
Glong songa
is a long drum Played with the hands
Glong yao
is a smaller version of glong thad and Played with sticks
Glong Chatri
is a large drum Played with sticks and used in the Isan region of northeast Thailand
Glong seng
is the smallest hourglass pellet drum
Glong banthoh
are set of tuned drums
Poengmang Khok
is a higher gong circle mounted in a rattan frame
Khong Wong lek
is a lower gong circle mounted in a rattan frame
Khong wong yai
are set of many small tuned bossed gongs arranged in vertical curved frame used in funeral music
Khong mon
is a free-reed mouth organ of the Lao People who live Primarily in the Northeastern region of Thailand
Khaen
is a double-reed Pipe oboe
Pi nai
is a vertical duct flute made from bamboo
Khlui
consists of 21 wooden bars suspended by cords over a boat-shaped trough resonator and struck by two mallets
Ranat Ek
consists of flat metal slabs Placed over a rectangular wooden resonator, It is a Played with two bamboo sticks with Padded ends.
Ranat Ek lek
same as Ranat ek lek
Ranat Thum lek